literary criticism

THE DOUBLE LIFE OF PAUL DE MAN
by Evelyn Barish

When I was studying English in graduate school in the early ‘90s, deconstruction theory was big. Despite its abstractness, deconstruction—which eschewed stuff like history on the grounds that the language through which we access it is intrinsically unstable—was blithely referred to as a “practice,” as if you could get it done at a law office or massage parlour. Read more…